Chicago, IL / Iowa City, IA
Soulful Indie Rock
Blending fierce, massive vocals and raw bluesy guitar with introspective lyrics and electronic textures, Elizabeth Moen "showcases both strength and vulnerability, reminding us that these traits often go hand in hand" (NPR Music).
In her heartland hometown of Vinton, Iowa, Moen taught herself guitar as a teenager. "I've always been able to sit alone in my thoughts,” she says, “but I can't sit in silence.” She noticed this innate need to make noise at a young age, and affectionately referred to as “an emotional journey with no destination."
But Moen did arrive somewhere: at her first performance. She credits the experience with transforming her relationship to songwriting.“I felt understood for the first time," she says. "I realized songs were the best way I could explain my thoughts and feelings to others — and to myself." She dedicated herself to the process, writing incessantly, recording prolifically, and performing as much as the public would have her.
She then spent the next few years playing music all over the United States, Ireland, Italy and France. She recorded at Hyde Street Studios in San Francisco, Fame Studios in Muscle Shoals, Alabama, Hellfire Studios in Dublin, Ireland and Flat Black Studios in Lone Tree, Iowa. (The tracks from these various recordings will all be featured on her upcoming album to be released in 2022.) She broke through with an official showcase featured artist booking for SXSW and was listed as an NPR Top 100 at Austin … and then came the pandemic with this festival and venues all over the world in lockdown.
Like so many artists (and humans), Moen felt derailed, but her focus remained steadfast and her default coping mechanism as relevant as ever; she kept writing songs. "I've realized there are only certain things I have control of in life and I gotta just keep growing, healing, and learning. These songs helped me while I wrote them in quarantine."
The resulting EP Creature of Habit approaches mental health with a balance of accessible candor and existential profundity. During part of the writing process, Moen lived with her aunt who is a therapist. In her presence, Moen says she became increasingly intrigued by her own inner workings and more adept at dealing with them. For the songwriter, "Creature of Habit" acknowledges that innate human tendency to repeatedly resort to old habits, and the effort to—well—not.
Having launched in the lane of raw, bluesy, acoustics (opening for the likes of Lake Street Dive, Houndmouth, Ani DiFranco, St Paul and the Broken Bones, Lucy Dacus, Esme Patterson, The Weepies, Buck Meek, Hurray for the Riff Raff, Birds of Chicago, Margaret Glaspy, Lissie, William Elliott Whitmore and LP), Moen’s bold embrace of indie-pop production and electronic textures is especially enthralling. Her immense vocals and poetic poignancy swirl into the new sonic territory in a form that’s outright haunting.
The songs are ultimately an expression: not only of what the world means to Moen, but what she means to herself. "There are lots of parts of us that people think can't coexist but they do. We're all fierce and vulnerable, happy and sad, right and wrong, serious and silly. In my music, I'm searching for all of those things and finding a balance of what I actually am."